1
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Essentially, my work is the fusion
between classic [] texts

2
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and more declamatory elements
of japanese novel Butoh stylings.

3
00:00:14,140 --> 00:00:17,926
A reaction against what I perceive
as incipient recidivist tendencies

4
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in the contemporary theatre scene.

5
00:00:19,753 --> 00:00:24,051
Whereas most stage artists are
embracing evermore linear,

6
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evermore static, evermore..
cinematic templates

7
00:00:28,258 --> 00:00:30,761
I chose to redefine for my audience

8
00:00:30,761 --> 00:00:32,500
for my audience the very notional form,

9
00:00:32,500 --> 00:00:36,823
challenging them to extricate meaning
from what is admittedly theatrical subject.

10
00:00:36,971 --> 00:00:41,063
I’m inviting their participation in
the construñtion of erratical new perception

11
00:00:41,472 --> 00:00:47,209
based on what I perceive to be
tangible expressionists principles.

12
00:00:49,495 --> 00:00:59,150
Ah.. Show’s over, folks, okay? Bye! Yeah? Just..

13
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Those people really love to watch you.

14
00:01:04,952 --> 00:01:09,949
Ah.. The FANS. They’re just confused.

15
00:01:10,533 --> 00:01:15,800
They are victims of our shallow
popular culture whose fasñination

16
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with the artist superseded
identification with the art.

17
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They suffer opacity of intellectual involvement

18
00:01:23,496 --> 00:01:27,083
and dissociate from any artistic expression

19
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not presented to them in a form
of a readily digestible publem.

20
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I despise them.

21
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I thought you are really great.

22
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Greatness is not something what attains.

23
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Rather something what allows.

24
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Only through a sustained dedication to the craft

25
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and by forsaken the crushing distractions
of the material world

26
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can one ever hope to become a proper vessel

27
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for the truths of the ephemeral plane.

28
00:02:00,642 --> 00:02:02,855
Is that why you don’t cook the stuff?

29
00:02:03,567 --> 00:02:06,875
The actor doesn’t cook. He acts.

30
00:02:08,108 --> 00:02:10,630
So where does the  actor sleep?

31
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I eat, sleep, work, live and breathe here,

32
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in this concrete cube called a theatre.

33
00:02:20,170 --> 00:02:23,454
Why would I threaten what has
already attendetive connection

34
00:02:23,454 --> 00:02:25,747
to the muse by residing outside of her geometry?

35
00:02:26,555 --> 00:02:28,113
That would be presumptuous!

36
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A spit in the face of the creative process.

37
00:02:33,155 --> 00:02:39,467
Well, I feel a little creative myself...

38
00:02:54,353 --> 00:02:54,919
C’mon ..

39
00:02:55,264 --> 00:02:55,845
Where are you going?

40
00:02:58,183 --> 00:02:59,675
To regurgitate my food.

41
00:03:00,275 --> 00:03:03,179
It was weakness to eat
on the same day as the performance.

42
00:03:04,180 --> 00:03:07,180
Subtitles: Lunatic, Bankolya, HELEN
2008