1 00:00:04,107 --> 00:00:08,522 The series began as four two hour made for TV movies. 2 00:00:09,154 --> 00:00:13,545 The success of the movies spawned 20 one hour episodes. 3 00:00:14,359 --> 00:00:18,810 Now in its third season LEXX has mutated once again. 4 00:00:44,811 --> 00:00:48,200 The making of the LEXX 5 00:00:48,366 --> 00:00:53,235 For season three what we’re hoping [to tell] a story in thirteen parts. 6 00:00:54,778 --> 00:00:58,816 With each part of the story… each long part of the story 7 00:00:59,146 --> 00:01:00,949 so be more or less self-contained. 8 00:01:03,814 --> 00:01:04,999 So exactly where are we? 9 00:01:05,138 --> 00:01:06,999 Between Fire and Water 10 00:01:09,049 --> 00:01:11,647 There’re two planets that have a sort of 11 00:01:11,738 --> 00:01:14,646 they’re almost in the same orbit share an atmosphere at one point. 12 00:01:14,898 --> 00:01:18,611 One is called Fire which is totally dry and has not water at all and very hot 13 00:01:18,628 --> 00:01:21,171 and the other is Water which is all water. 14 00:01:21,921 --> 00:01:25,114 The Lexx has been drifting for like over four thousand years 15 00:01:25,491 --> 00:01:28,923 and it drifts into their atmosphere and they think it’s a comet – 16 00:01:28,925 --> 00:01:31,070 the people down on the planet think it’s a comet – 17 00:01:31,087 --> 00:01:33,854 so they travel using hot-air balloons. 18 00:01:34,496 --> 00:01:35,748 So they go up in this hot-air balloon 19 00:01:35,817 --> 00:01:38,288 and they shoot an arrow at it and basically - 20 00:01:38,665 --> 00:01:40,661 it’s like shooting the white whale you know - they get it... 21 00:01:40,810 --> 00:01:43,097 and it pulls them along and then they sort of really get in. 22 00:01:43,519 --> 00:01:44,196 And get on board. 23 00:01:53,018 --> 00:01:56,595 The story arc is clear, the on the characters is clear 24 00:01:56,974 --> 00:01:58,713 and I think the introduction of Prince 25 00:01:58,882 --> 00:02:03,203 like a sort of like a almost a fourth prominent cast member in a sense. 26 00:02:04,543 --> 00:02:05,634 That worked really-really well. 27 00:02:05,899 --> 00:02:08,063 He’s one of these characters that has unlimited power. 28 00:02:08,360 --> 00:02:10,986 He has unlimited power, unlimited abilities. He can do what he wants to… 29 00:02:12,329 --> 00:02:17,239 He just decides what he wants to do and does it. Because he can. 30 00:02:18,321 --> 00:02:23,245 You command the Lexx. And I have learned that the Lexx is a great weapon - 31 00:02:24,621 --> 00:02:27,836 a weapon that will finally tip the scales 32 00:02:32,051 --> 00:02:34,407 I think in some ways Stan represents - in the broad sense of the word 33 00:02:35,029 --> 00:02:37,145 “the common man”. 34 00:02:38,119 --> 00:02:42,047 Stan wants to survive - he wants to survive the best he can - 35 00:02:42,924 --> 00:02:47,180 and wants to avoid unpleasant circumstances 36 00:02:47,277 --> 00:02:49,699 and wants to engage in pleasant ones. 37 00:02:55,051 --> 00:02:57,204 The sensual man – that’s Stanly basically. 38 00:02:57,570 --> 00:03:01,138 He’s up to find anything to engage anything that brings him pleasure. 39 00:03:02,055 --> 00:03:05,101 And to run as fast as he can from anything 40 00:03:05,208 --> 00:03:08,354 that will require complication responsibility or pain. 41 00:03:08,756 --> 00:03:12,593 You see, an evil planet is gonna be blown into tiny little chunks, 42 00:03:13,061 --> 00:03:16,772 and then the Lexx, hopefully, is gonna eat those chunks, 43 00:03:17,279 --> 00:03:20,156 and then we'll be able to sail away from a place 44 00:03:20,493 --> 00:03:23,309 where I really don't wanna be anymore. 45 00:03:24,541 --> 00:03:27,191 So in terms of my own identification with Stanly 46 00:03:27,286 --> 00:03:30,261 I would never wanna be the guy you know but… - in real life - 47 00:03:30,549 --> 00:03:33,220 but in terms of a character I think it’s a wonderful role to play. 48 00:03:33,313 --> 00:03:36,784 I mean its… it’s so broad, there’re so many possibilities in there 49 00:03:37,438 --> 00:03:42,500 as oppose to Michael playing Kai whose role is essentially eliminated. 50 00:03:45,540 --> 00:03:46,260 Did they hit us?! 51 00:03:48,986 --> 00:03:49,726 Not where it matters. 52 00:03:50,081 --> 00:03:53,891 After first day, couple of what are we gonna do, 53 00:03:53,968 --> 00:03:56,165 your character is so dolly. I recalled "no-no-no! 54 00:03:56,699 --> 00:03:58,396 You wrote him dead, he stays dead, 55 00:03:58,554 --> 00:04:04,612 I am gonna do it. He doesn't wanna be alive or be half-human like… 56 00:04:04,682 --> 00:04:06,892 No I’m dead-dead-dead, I just want to be dead". 57 00:04:06,983 --> 00:04:10,418 And then as oppose to that he became more mechanical 58 00:04:10,505 --> 00:04:12,572 and then in the last year the thing was 59 00:04:12,679 --> 00:04:15,136 that he can be superman - sort of - 60 00:04:15,579 --> 00:04:24,378 or he can have a kind of a really extreme physical stability 61 00:04:24,470 --> 00:04:27,153 or whatever but it’s got to be vulnerable as well. 62 00:04:31,083 --> 00:04:33,852 Kai becomes…. Well I don’t wanna actually say 63 00:04:33,921 --> 00:04:37,573 but we will actually see a whole other… possibly 64 00:04:37,664 --> 00:04:39,756 the whole other side of Kai character which 65 00:04:39,807 --> 00:04:43,708 actually even has more to it then meets the eye at first. 66 00:04:43,788 --> 00:04:47,916 Kai? I thought that you had somehow come to life, 67 00:04:49,152 --> 00:04:50,571 but you are still dead, aren't you? 68 00:04:51,000 --> 00:04:51,978 Yes. 69 00:04:53,960 --> 00:04:55,212 So how can there be two of you? 70 00:05:01,703 --> 00:05:04,691 One is dead - the other is alive 71 00:05:06,843 --> 00:05:11,049 That had a nice sporting touch with the Japanese bow 72 00:05:11,937 --> 00:05:14,084 which I managed to learn pretty well how to do. 73 00:05:14,176 --> 00:05:17,528 That was fun, that was really fun to get that [artily] in. 74 00:05:30,361 --> 00:05:32,930 Xev gets an opportunity to see a different side of Kai 75 00:05:33,010 --> 00:05:36,391 which she finds shall we say attractive and interesting. 76 00:05:41,969 --> 00:05:44,510 She’s got the appearance of the love slave 77 00:05:44,536 --> 00:05:48,585 and the soul of an independent fearless warrior woman. 78 00:05:49,275 --> 00:05:53,463 She can sort of… she’s very good at serve playing things 79 00:05:53,542 --> 00:05:58,849 to get her way and… plays a double agent a lot of the times I think. 80 00:05:59,550 --> 00:06:00,072 What? 81 00:06:01,607 --> 00:06:08,434 Why I'm happy to accept your deal under the right conditions. 82 00:06:12,114 --> 00:06:22,252 You bring out something in me that doesn't always find proper expression... 83 00:06:37,159 --> 00:06:39,280 There was some particularly satisfying falling 84 00:06:39,282 --> 00:06:41,645 at the very beginning 85 00:06:41,646 --> 00:06:44,286 where Halifax rigger 86 00:06:44,708 --> 00:06:47,870 got a very nice body rig. 87 00:06:47,890 --> 00:06:50,256 You’re posited from two lines in the middle 88 00:06:50,937 --> 00:06:56,493 and so it gives a great deal of freedom in falling 89 00:06:56,833 --> 00:06:59,830 and kind of tumbling and parachuting at stuff. 90 00:07:00,388 --> 00:07:05,254 And that was nice physical stuff very satisfying 91 00:07:05,429 --> 00:07:07,682 to do and to be able to do. 92 00:07:08,535 --> 00:07:12,341 Am I too low? Lift me up... 93 00:07:13,992 --> 00:07:14,999 That good? 94 00:07:17,877 --> 00:07:21,043 Now the guys in audience will probably identify with this. 95 00:07:21,120 --> 00:07:26,656 Imagine having somebody grabs you close to a delicate area 96 00:07:27,307 --> 00:07:31,437 and holding on very-very tightly for like two or three hours. 97 00:07:31,599 --> 00:07:38,182 You know, a lot of vaseline, a lot of baby powder... 98 00:07:38,672 --> 00:07:40,906 It’s not really that much of a problem you know. 99 00:07:41,052 --> 00:07:42,736 You react to the immediate situation. 100 00:07:43,654 --> 00:07:45,165 Yeah, I spent some time under water 101 00:07:46,190 --> 00:07:49,969 with about thirty five pounds of weight on my body 102 00:07:50,070 --> 00:07:53,806 so, I would sink like a [....]. One of the satisfying things is 103 00:07:53,913 --> 00:07:56,201 what you do then is you work it out very-very technically 104 00:07:56,202 --> 00:07:58,110 step by step and just execute. 105 00:07:58,822 --> 00:08:02,695 And so you do it and then you stop doing it and say 106 00:08:03,015 --> 00:08:06,244 “ok, I’ve done that, I did every step just right, it worked out fine”. 107 00:08:06,462 --> 00:08:10,716 And you kind of go... “oh, that’s a thrill! That is fun!” 108 00:08:10,897 --> 00:08:13,504 But it’s all delayed all the fun is sort of delayed. 109 00:08:13,724 --> 00:08:16,771 We're going to have to start with a little bit of pain... 110 00:08:21,023 --> 00:08:21,995 I'm not good with pain! 111 00:08:22,889 --> 00:08:26,495 We tried it with that actually on the nipple... 112 00:08:26,557 --> 00:08:29,549 oh, no no no no no!.. 113 00:08:29,949 --> 00:08:33,857 And then what we did was actually the make up girls made nipples 114 00:08:33,858 --> 00:08:37,561 that were likely larger out of latex and that was fine. 115 00:08:37,563 --> 00:08:43,826 They glued them on that part was fine... that was fine... 116 00:08:43,827 --> 00:08:49,686 but when they came off...um...you know.. It was harassing I tell you... 117 00:08:57,852 --> 00:09:00,201 One of the episodes that I directed – Gondola – 118 00:09:00,706 --> 00:09:05,875 is entirely shot in the... in this gondola. 119 00:09:23,142 --> 00:09:28,052 The gondola was great. That was really the finest piece 120 00:09:28,339 --> 00:09:29,567 that we designed this year. 121 00:09:29,568 --> 00:09:34,621 We went through about thirty or forty changes 122 00:09:34,681 --> 00:09:36,029 and different design ideas, 123 00:09:36,662 --> 00:09:41,350 thousands of drawings and sketches and we wracked our brains for weeks 124 00:09:41,606 --> 00:09:47,274 finally come up with something that was rude but at the same time was elegant. 125 00:09:47,872 --> 00:09:49,574 But also would work practically. 126 00:09:56,794 --> 00:10:01,078 The ship is a whole was a... I think it was good in the air. 127 00:10:01,176 --> 00:10:05,406 I think that... Think that... probable very nice to look at. 128 00:10:05,493 --> 00:10:09,641 You know I got mixed with... I’ve got conflicted relationship with gondola. 129 00:10:09,725 --> 00:10:14,156 I spent a lot of time in there with the hot lights, 130 00:10:15,257 --> 00:10:19,157 the sand blowing... 131 00:10:19,210 --> 00:10:21,424 This was a middle of summer down in Halifax. 132 00:10:21,529 --> 00:10:25,390 You can’t have the air condition turned on because it makes too much noise when you're shooting. 133 00:10:25,479 --> 00:10:30,023 So it was hot and close. You get to know people real well in that situation. 134 00:10:39,984 --> 00:10:49,499 Prior to season III, lexx was shot in studios in both Halifax and Germany. 135 00:10:50,100 --> 00:10:54,095 It had always been ironic to me to move from a studio in Canada 136 00:10:54,096 --> 00:10:57,915 a show which is primarily shot in the... totally shot in studio 137 00:10:57,916 --> 00:11:01,800 to yet another studio thousands of miles away across the ocean 138 00:11:01,801 --> 00:11:04,946 and so I thought why not to take advantage 139 00:11:04,947 --> 00:11:07,935 of what Berlin has offered in terms of locations. 140 00:11:07,936 --> 00:11:10,570 Let's find some places and break the show out of the studio 141 00:11:10,571 --> 00:11:16,184 and try to find some interesting locations to take some of the episodes on to. 142 00:11:16,185 --> 00:11:24,875 It's a little tough for all the crew shoot in location 143 00:11:24,876 --> 00:11:29,800 than it is within the certain comfort of the studio where is a lot of control 144 00:11:29,801 --> 00:11:32,659 because - as you know - there're a lot of green screen, a lot of special effects down in the show. 145 00:11:32,660 --> 00:11:35,600 Instead of this we tended to rely on the location to tell the magic of the visuals 146 00:11:35,601 --> 00:11:43,460 rather then creating a lot of camera effects… you know kind of CGA effects. 147 00:11:43,461 --> 00:11:48,860 We let the location kind of to tell us where we are and to understand that location. 148 00:11:49,020 --> 00:11:51,578 We are in the Rudesdorf near Berlin. 149 00:11:51,579 --> 00:11:53,894 The very decayed location. 150 00:11:53,895 --> 00:11:55,800 We will soon start to shoot. 151 00:12:01,590 --> 00:12:03,600 We shot in a place called Rudesdorf 152 00:12:03,601 --> 00:12:07,597 which was an abandoned cement factory. 153 00:12:07,598 --> 00:12:10,200 And it was abandoned in the late sixties. 154 00:12:10,201 --> 00:12:13,792 And it was pretty hard for all the cast and all the crew, 155 00:12:13,793 --> 00:12:16,600 we spent two weeks shooting there. 156 00:12:16,601 --> 00:12:22,753 And snow outside, no windows and there was no way to actually heat the place 157 00:12:22,754 --> 00:12:25,400 that was totally impossible, out of the question… 158 00:12:25,590 --> 00:12:29,233 Scene 9 E take 4 159 00:12:32,400 --> 00:12:33,600 Brian, action! 160 00:12:41,600 --> 00:12:45,100 It was a horrible miserable place in many ways 161 00:12:45,101 --> 00:12:49,622 it was dark, dusty so there the problems were… 162 00:12:49,623 --> 00:12:56,700 the crew you know inhaling the bad air and it was dark. 163 00:12:56,701 --> 00:13:00,855 You know the building was kind of falling apart but it wasn't. 164 00:13:00,856 --> 00:13:05,799 So you know under those circumstances things go wrong, things are slow down. 165 00:13:05,800 --> 00:13:07,963 But we were very well propped 166 00:13:07,964 --> 00:13:10,100 so whatever went wrong we could handle. 167 00:13:12,400 --> 00:13:15,651 - Scene 12 take 3. - Thank you. 168 00:13:18,158 --> 00:13:20,641 Brian and Xenia action. 169 00:13:40,199 --> 00:13:41,700 Come on, this way! 170 00:13:52,300 --> 00:13:53,900 Cut! 171 00:14:06,395 --> 00:14:10,600 And quiet, please, stop this joking around here we gotta concentrate! 172 00:14:13,640 --> 00:14:15,600 Please keep quiet! 173 00:14:30,000 --> 00:14:32,668 Giggerota! you're alive! 174 00:14:33,000 --> 00:14:34,669 Who's Giggerota? 175 00:14:35,200 --> 00:14:39,402 Underneath here… this is not fake that is a real fire. 176 00:14:39,403 --> 00:14:42,261 So the tub was ending up to be so hot 177 00:14:42,262 --> 00:14:45,500 that the first time I wasn't sure what temperature it had, the tub 178 00:14:45,501 --> 00:14:49,579 So I asked for warm water but in the twelve hour I was starting to hallucinate 179 00:14:49,580 --> 00:14:51,300 because that was so hot. 180 00:14:51,301 --> 00:14:57,300 So basically they set this kind fire and the tub would boil. 181 00:14:57,301 --> 00:14:59,800 And in the meantime that would also have the dry ice effect 182 00:14:59,801 --> 00:15:02,486 and a smoke effect on top of there. 183 00:15:02,487 --> 00:15:07,707 So we're dealing with an old building 184 00:15:07,708 --> 00:15:10,900 with smells and rats and bats, fire, smoke, dry ice, water, 185 00:15:10,901 --> 00:15:13,000 costume that weight eight hundred pounds, 186 00:15:13,001 --> 00:15:15,960 and I was still smiling! 187 00:15:17,400 --> 00:15:23,563 Drumsticks, drumsticks, drumsticks, drumsticks! 188 00:15:24,643 --> 00:15:26,700 It was fun and it was challenging 189 00:15:26,701 --> 00:15:31,021 I thing Lexx for an actor is the most incredible experience 190 00:15:31,022 --> 00:15:35,275 I'm laughing at how much fun I had on this because I can basically do everything. 191 00:15:35,276 --> 00:15:38,774 I mean, usually you're told 'less is more'... 192 00:15:38,775 --> 00:15:40,600 more is not enough on this show! 193 00:15:45,116 --> 00:15:47,500 Council time, your majesty! 194 00:15:48,414 --> 00:15:52,716 Oh, boring, boring, boring, boring! 195 00:15:57,825 --> 00:16:01,225 Here we are, chilly Thursday morning in Fort Hahneberg 196 00:16:01,226 --> 00:16:05,100 preparing for a run-for-head shot with Stanly Tweedle running from the psychopathic homicidal maniacs. 197 00:16:06,513 --> 00:16:09,864 We're like in the shadows. 198 00:16:18,700 --> 00:16:23,100 Underneath this fortress there are these tunnels a maze of tunnels that are quite beautifully build 199 00:16:23,101 --> 00:16:29,599 this is round beautiful brickwork in kind of a little labyrinth of tunnels. 200 00:16:29,600 --> 00:16:32,717 So we spent… yes, two weeks shooting in these tunnels. 201 00:16:32,718 --> 00:16:37,200 So we achieved some interesting visual elements with these tunnels. 202 00:16:37,201 --> 00:16:41,700 It was really fun to backlight, you know… 203 00:16:41,700 --> 00:16:45,700 Play the sound in these tunnels… play the maze of running through. 204 00:16:46,300 --> 00:16:49,130 It was wonderful cos there… it was an amazing building. 205 00:16:49,131 --> 00:16:52,800 There were these long, long tunnels which would go up.... and then down 206 00:16:52,801 --> 00:16:56,069 into nothing, into nowhere, just into darkness 207 00:16:56,200 --> 00:17:02,000 And a couple of shots… we've done long shots of us walking just walking, walking, 208 00:17:02,001 --> 00:17:05,400 walking toward the camera. which looked amazing. 209 00:17:05,401 --> 00:17:07,143 But it was just freezing. 210 00:17:07,143 --> 00:17:10,131 I remember one time I meant to be on Fire which is very hot 211 00:17:10,131 --> 00:17:13,178 and I'm talking down into a hole to Stanly. 212 00:17:13,178 --> 00:17:16,000 And all I can see is my breath coming out all the time. 213 00:17:16,001 --> 00:17:18,600 And they say: "Can you see it on the camera?" - "Yeah, we can…" 214 00:17:19,516 --> 00:17:23,600 Well, you can stay down there if you want to, Stanley, but I have to tell you 215 00:17:23,601 --> 00:17:26,100 that They never come up here. 216 00:17:26,162 --> 00:17:29,007 So we had a big heater down in the hole 217 00:17:29,008 --> 00:17:33,435 and a fen blowing it up so that I didn't have a cold breath 218 00:17:33,436 --> 00:17:34,700 Crazy. 219 00:17:34,822 --> 00:17:39,600 We'll be at hell soon and we'll be in heaven on Monday mourning. 220 00:17:45,400 --> 00:17:48,192 - I feel exactly the same way. - You do? 221 00:17:48,193 --> 00:17:53,667 Yeah. Lily, I wanna water your garden. 222 00:17:53,668 --> 00:17:55,960 Will you let me do that? 223 00:17:56,290 --> 00:17:58,917 I wanna water your garden… 224 00:17:59,550 --> 00:18:02,100 We shot in the botanical gardens in central Berlin 225 00:18:02,101 --> 00:18:09,070 which is an old Jules Verne's architecture of glass and steal structure 226 00:18:09,071 --> 00:18:15,800 Inside - house with these beautiful lush tropical plants and flowers. 227 00:18:23,100 --> 00:18:26,500 We were really relieved when we moved into the botanical gardens. 228 00:18:26,501 --> 00:18:33,700 It was: oh, god… it's all the way up to ten degrees Celsius here so this is great… 229 00:18:33,701 --> 00:18:37,800 And it was a lovely location. But unfortunately we were thereonly for a week. 230 00:18:50,000 --> 00:18:53,900 I'm enjoying this so much I'm starting to think I must be a little bit autistic... 231 00:18:54,000 --> 00:18:57,600 Now.. I gotta say either I'm autistic or my character is autistic whatever... 232 00:18:57,601 --> 00:18:59,850 but being buried in the earth for my character was... 233 00:18:59,851 --> 00:19:02,400 I think that's close to a nice erotic sensation 234 00:19:02,401 --> 00:19:05,601 that Kai has ever... kind of...experienced... 235 00:19:05,602 --> 00:19:08,800 And except for the misadventures of that episode 236 00:19:08,801 --> 00:19:10,746 I think he happily would've stay there, 237 00:19:10,747 --> 00:19:15,100 seriously and very very very determinately 238 00:19:15,101 --> 00:19:18,000 trying to decompose there, under the earth. 239 00:19:19,900 --> 00:19:24,600 Why are you buried in the dirt? 240 00:19:24,601 --> 00:19:30,200 It is the natural way of all dead things. 241 00:19:38,763 --> 00:19:44,694 It was like guerilla filming you know… it really was… not the animals, the people. 242 00:19:44,695 --> 00:19:50,076 Because it was a tiny unit that we had and we'd go out and set up camp, wherever we happened to be. 243 00:19:50,077 --> 00:19:55,340 It's an amazing countryside, it's so completely different from anything 244 00:19:55,341 --> 00:19:57,848 that you'll see here in North America, just completely different. 245 00:19:58,183 --> 00:19:59,743 He won't get out for weeks! 246 00:20:09,147 --> 00:20:11,336 It was excellent ideal situation. 247 00:20:11,336 --> 00:20:16,140 The countryside was beautiful, the crew was wonderful, the food was great. I mean, everything! 248 00:20:16,141 --> 00:20:19,485 There wasn't a single thing that I can say: that was wrong 249 00:20:19,486 --> 00:20:22,500 or in any way off-putting about shooting in Africa. 250 00:20:23,000 --> 00:20:26,313 You know, these silly little pink and blue and green umbrellas 251 00:20:26,314 --> 00:20:30,827 to walk around and keeping a shade… Very strange… 252 00:20:31,500 --> 00:20:33,790 Brian: "I say, Rudolph?" Nigel: "Yes, darling?" 253 00:20:33,791 --> 00:20:36,490 Brian: "Are you enjoying the vacation so far?" Nigel: "Awfully, awfully good 254 00:20:36,491 --> 00:20:41,291 I must admit it's awfully nice to be able to get away to these latitudes. 255 00:20:41,292 --> 00:20:43,235 Brian: "Oh these latitudes, yes indeed, yes indeed... 256 00:20:43,236 --> 00:20:47,570 I find that the salt breeze does the skin a remarkable amount of good." 257 00:20:47,571 --> 00:20:50,434 Nigel: "Oh yes, very!" Brian: "My complexion has cleared up remarkably." 258 00:20:50,435 --> 00:20:52,248 Nigel: "Remarkably!" 259 00:20:54,657 --> 00:20:58,135 We were on the beach in Namibia and it was windy as hell 260 00:20:58,136 --> 00:20:59,500 it was really-really windy. 261 00:21:04,600 --> 00:21:06,200 I have to turn around... 262 00:21:09,470 --> 00:21:12,725 I will see you later, Stanley Tweedle! 263 00:21:12,900 --> 00:21:16,478 They set up a green screen behind me. 264 00:21:16,479 --> 00:21:20,712 At this photograph that we have you can see the cameras here and the green screen is there 265 00:21:20,713 --> 00:21:24,805 it's bellowed out like that and there four guys with ropes holding it down. 266 00:21:24,806 --> 00:21:28,454 And I'm standing there like this in front of it blowing in the wind! 267 00:21:28,455 --> 00:21:30,495 And it's just like WOW! 268 00:21:39,600 --> 00:21:44,000 I was standing on the beach and I said to Paul: 269 00:21:44,001 --> 00:21:48,401 "So lets wait for the waves to die down a bit, ok?" 270 00:21:48,402 --> 00:21:51,205 He said: "No, those are the small waves". You know… 271 00:21:51,206 --> 00:21:53,000 and I said "Oh, God…" 272 00:21:53,400 --> 00:21:55,721 This is the calm water... 273 00:21:55,722 --> 00:21:58,233 Oh boy, that's the calm water. 274 00:21:58,234 --> 00:22:02,900 …it's get windy and waves get big… 275 00:22:02,901 --> 00:22:05,600 These aren't big waves? 276 00:22:05,601 --> 00:22:07,200 No, these are tiny. 277 00:22:07,500 --> 00:22:11,500 And the water was about eight degrees Celsius. That's a cold shower! 278 00:22:11,501 --> 00:22:18,400 I had a wet suit underneath my costume. But getting into the waves… I don't swim! 279 00:22:18,401 --> 00:22:23,900 At one point I…one of the waves picked me up and washed me right into the camera. 280 00:22:23,901 --> 00:22:28,391 Right into the tripod. I ended up with my head between the legs of the tripod. 281 00:22:28,392 --> 00:22:30,387 That was pretty strange... 282 00:22:30,388 --> 00:22:36,739 The payoff is when you finally see those images, those locations on tape… 283 00:22:36,740 --> 00:22:40,154 when you see the finished product and you can say: 284 00:22:40,155 --> 00:22:43,200 "well, guess it was worth it that after all." 285 00:22:43,400 --> 00:22:46,600 It's amazing to me because… these three actors - 286 00:22:46,601 --> 00:22:51,229 Michael and Xenia and Brian - are very talented, 287 00:22:51,230 --> 00:22:56,500 really know their stuff… put up with a lot of… abuse! 288 00:22:56,501 --> 00:23:00,126 Because it's a tough thing making the show, it's very physically demanding. 289 00:23:00,127 --> 00:23:05,500 There's a lot of stuff where they're acting in front of green screens, and there are long hours... 290 00:23:05,501 --> 00:23:10,200 and they are the most good-humoured, patient and talented people. 291 00:23:15,500 --> 00:23:18,531 Jesus Christ… I almost.. 292 00:23:23,300 --> 00:23:25,220 I was just wondering… 293 00:23:28,500 --> 00:23:32,500 what * was I wondering? What was the * line? 294 00:23:34,684 --> 00:23:38,222 Subtitle: Lunatic, Bars, Helen